Regarded by Chinese travelers as one of China's 17 most beautiful scenic areas, Yuanyang County is in the depths of the Ailao Mountains in Honghe Hani and Yi Autonomous Prefecture, southern Yunnan Province. The prefecture has an area of more than one million Mu in terraced fields, the core 300,000 Mu of which are in Yuanyang.

Villagers have inhabited the county for generations. Happy with their peaceful life, they seldom leave, other than to replenish supplies at the local market town.

Magnificent Terraces

Yuanyang County is world famous for its Hani ethnic minority-constructed farming terraces that zigzag upwards over range upon range of slopes to a height of 144 to 2,000 meters. As the Hani people say, they can build and water terraces on any mountain, no matter how tall.

Officials from the county tourism bureau recall proudly the many overseas researchers and visitors that have come to see the terraces. One official commented, "Most tourists cannot believe that the Hani people cultivate terraces using only simple hoes. They regard them as every bit as splendid as the Great Wall and the Pyramids."

The terraces have a 1,300-year history, and in that time Hani farmers have perfected a rice terrace-oriented farming and seeding ecosystem. For the past 50 years, the terraces have produced between 100 to 150 kilograms, sometimes as much as 300 kilograms, of rice per Mu (a sixth of an acre), an output that compares with that of any plains area. Incredibly enough, Yuanyang, with its high mountains and steep valleys and forests, is actually a huge granary in Yunnan Province that was relied on heavily in the 1960s and 1970s to alleviate famine in the inland areas.

The Hani terraces and their irrigation system constitute ingenious agricultural innovation. Ailao Mountain's temperate climate and large scope of vegetation assures precipitation adequate to water the terraces, but equal apportionment of water to each plot on each terrace requires specialized skill. The Hani people call their method of water management, "Carving Wood to Ration Water"; villagers from each household mark different gradations on a wooden cross and place it in front of the terrace's source of water. When water flowing into the terraces reaches a specific gradation, the flow ceases. This system ensures enough water for every terraced plot.

Shi Junchao, who has spent many years on research into Hani Culture, says, "As the Hani people rely on the terraces for their subsistence, there has evolved a terrace "culture," apparent in folk customs such as the Name Giving Ceremony. When a baby boy is born, a field plowing ceremony is held, whereby make-believe terraces are drawn on the courtyard floor and a seven-or eight-year-old boy apes the hoeing process. If the infant is a girl, a seven-or eight-year-old girl mimes field work with a basket on her back. It is after the ceremony that the infant is given a name and declared a true member of the village. When someone passes away, he or she is buried on the slope beside the terrace to guard it from the nether world.
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¡¡¡¡Hani Fashion

As the Silk Road and the Tea and Horse Trails passed through southern Yunnan, about 19 silversmiths settled in the province during the Kangxi reign of the Qing Dynasty and helped to make the province famous for its silver goods. Southern Yunnan was once prosperous, having been the trading center for the metallic minerals, timber and biological resources needed inland. It was during the Ming and Qing dynasties (1368-1911) that silver coins began to be minted. Extended periods of self-sufficiency and low circulation of commodities prompted the Hani people to fashion silver coins into jewelry worn as an indication of the level of family wealth. Hani women still abide by this tradition and keep the town silversmith busy. He is handed dozens of silver coins at a time with the request that they be melted down and forged into hair ornaments, necklaces and other items of jewelry. Hani women wear their silver ornamentations in layers reminiscent of the terraces that are their livelihood, and the crab, mussel or waterwheel designs carved on each piece express the Hani reverence for water.